Many of the traditional rhymes and games of childhood have a deep inner spiritual meaning. The acting game “Here We Go Round the Mulberry Bush” is an example. Here one player stands in the centre while the others form a ring around her. During the choruses they dance round her like the planets about the sun, while in each verse she chooses and leads the action (this is the way we clap our hands, sow the corn etc.). In some versions she is a bramble-bush, but both the bramble and the mulberry are associated with forms of Dea*, and is a minor representative of the World Tree. In each case she represents the still Point at the centre of manifestation, the solar Spirit Herself, by Whom all the forms of manifestation are expressed in their perfect Essence and are reflected upon the rim of the wheel of being, (in the realm of movement and multiplicity).

There are many rhyme-games of this sort. Strictly (because of the perfect “obedience” of the ring) this one represents not the relation of hub to the rim of the wheel, but of the axle-point to the hub that is to say, of God Herself to the Angelic or Archetypal realm of unfallen creation. Competitive versions which turn upon the mistakes made by the players represent the relation of the hub to the rim the fallen world of matter, which mirrors the Spirit, yet is ‘a broken and imperfect reflection’ of Her.

* Note: There are Tellurian parallels – for example, in the Iliad the goddess Hera decorates her pierced ears with mulberry clusters and the mulberry is also sacred to Minerva; the bramble was sacred to St Bridget of Ireland (originally the goddess Brighde); the Chinese goddess Ma-Ku took land from the sea and planted it with mulberry trees. Many more examples can be found.

From Nursery Rhymes: the Inner Meaning 

Advertisements